Dimensional Color
Sorozatcím: Design Science Collection;
-
12% KEDVEZMÉNY?
- A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
- Kiadói listaár EUR 85.59
-
35 498 Ft (33 808 Ft + 5% áfa)
Az ár azért becsült, mert a rendelés pillanatában nem lehet pontosan tudni, hogy a beérkezéskor milyen lesz a forint árfolyama az adott termék eredeti devizájához képest. Ha a forint romlana, kissé többet, ha javulna, kissé kevesebbet kell majd fizetnie.
- Kedvezmény(ek) 12% (cc. 4 260 Ft off)
- Kedvezményes ár 31 239 Ft (29 751 Ft + 5% áfa)
Iratkozzon fel most és részesüljön kedvezőbb árainkból!
Feliratkozom
35 498 Ft
Beszerezhetőség
Bizonytalan a beszerezhetőség. Érdemes még egyszer keresni szerzővel és címmel. Ha nem talál másik, kapható kiadást, forduljon ügyfélszolgálatunkhoz!
Why don't you give exact delivery time?
A beszerzés időigényét az eddigi tapasztalatokra alapozva adjuk meg. Azért becsült, mert a terméket külföldről hozzuk be, így a kiadó kiszolgálásának pillanatnyi gyorsaságától is függ. A megadottnál gyorsabb és lassabb szállítás is elképzelhető, de mindent megteszünk, hogy Ön a lehető leghamarabb jusson hozzá a termékhez.
A termék adatai:
- Kiadás sorszáma Softcover reprint of the original 1st ed. 1989
- Kiadó Birkhäuser
- Megjelenés dátuma 1989. december 15.
- Kötetek száma 1 pieces, Book
- ISBN 9781475720754
- Kötéstípus Puhakötés
- Terjedelem162 oldal
- Méret 280x240 mm
- Nyelv angol
- Illusztrációk 71 Illustrations, black & white; 223 Illustrations, color 0
Kategóriák
Hosszú leírás:
In a broad sense Design Science is the fail to perceive the system of organiza grammar of a language of images rather tion determining the form of such than of words. Modern communication structures. techniques enable us to transmit and reconstitute images without the need of Perception is a complex process. Our knowing a specific verbal sequential senses record ; they are analogous to language such as the Morse code, or audio or video devices. We cannot, Hungarian. International traffic signs however, claim that such devices per use international image symbols which ceive. Perception involves more than are not specific to any particular verbal meets the eye: it involves processing language. An image language differs and organization of recorded data. from a verbal one in that the latter uses When we name an object, we actually a linear string of symbols, whereas the name a concept: such words as octahe former is multidimensional. dron, collage, tessellation, dome, each desig nate a wide variety of objects sharing Architecturial renderings commonly certain characteristics. When we devise show projections onto three mutually ways of transforming an octahedron, or perpendicular planes, or consist of cross determine whether a given shape will sections at different altitudes capable of tessellate the plane, we make use of being stacked and representing different these characteristics, which constitute floor plans. Such renderings make it the grammar of structure.
In a broad sense Design Science is the fail to perceive the system of organiza grammar of a language of images rather tion determining the form of such than of words. Modern communication structures. techniques enable us to transmit and reconstitute images without the need of Perception is a complex process. Our knowing a specific verbal sequential senses record ; they are analogous to language such as the Morse code, or audio or video devices. We cannot, Hungarian. International traffic signs however, claim that such devices per use international image symbols which ceive. Perception involves more than are not specific to any particular verbal meets the eye: it involves processing language. An image language differs and organization of recorded data. from a verbal one in that the latter uses When we name an object, we actually a linear string of symbols, whereas the name a concept: such words as octahe former is multidimensional. dron, collage, tessellation, dome, each desig nate a wide variety of objects sharing Architecturial renderings commonly certain characteristics. When we devise show projections onto three mutually ways of transforming an octahedron, or perpendicular planes, or consist of cross determine whether a given shape will sections at different altitudes capable of tessellate the plane, we make use of being stacked and representing different these characteristics, which constitute floor plans. Such renderings make it the grammar of structure.
Springer Book Archives
Tartalomjegyzék:
1 Architecture and the Significance of the Surface.- 2 Dimensional Color: Theoretical Background.- 3 Color-Space and Time.- 4 The Geometry of Brightness and the Perception of Form.- 5 Configuration, Pattern, and Dimension.- 6 Color and Form: Conform or Transform?.- 7 Chiaro e Scuro Inverted.- 8 Color and Visual Organization.- 9 Color and Light.- 10 Visual Education.- Notes.- List of Illustrations.
Több
Dimensional Color
35 498 Ft
31 239 Ft
Beneath the Keep: A Novel of the Tearling
6 205 Ft
5 275 Ft
