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  • Larry Clark and Masculinity: Male Subjectivity and Visual Culture

    Larry Clark and Masculinity by Reynders, Dirk;

    Male Subjectivity and Visual Culture

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      • Publisher's listprice GBP 90.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        42 997 Ft (40 950 Ft + 5% VAT)
      • Discount 20% (cc. 8 599 Ft off)
      • Discounted price 34 398 Ft (32 760 Ft + 5% VAT)

    42 997 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Bloomsbury Publishing (UK)
    • Date of Publication 30 October 2025
    • Number of Volumes Hardback

    • ISBN 9781350385405
    • Binding Hardback
    • No. of pages224 pages
    • Size 236x160x18 mm
    • Weight 640 g
    • Language English
    • Illustrations 36 bw illus
    • 699

    Categories

    Long description:

    This book explores the visual representation of masculinity in the work of Larry Clark, using this to
    prompt a wider conversation about the male body in visual culture and art.
    Infamous for his often deeply personal depictions of teenage sexuality, subcultures and drug use, filmmaker and photographer Larry Clark also paid close attention to male identity, as revealed for the first time in this book. It explores the visual representation of masculinity in Clark's work, revealing how his images of the male body differ from traditional depictions and function not only as objects of spectacle, but as spectacular objects in themselves.

    Despite being hugely influential, there has been a lack of critical attention paid to Clark's work following his celebrated photobook Tulsa (1971). Larry Clark and Masculinity is a vital contribution to research on Clark, and visual and photography studies more broadly, where it explores the photographer's depiction of the male subject as an object of desire. It also expands research in gender and queer studies by examining masculinity as a relational, social and intercultural construct in media and society, enhancing our understanding of Clark's narrative and iconographic practice, while simultaneously positioning his work at the centre of the cultural discourse around male subjectivity.

    Drawing on an array of Clark's work, including his films 'Kids' and 'Ken Park', as well as his photographs, Masculinity and Visual Culture offers a critical re-examination of Clark's impact on visual culture and gender representation. By positioning Clark's work at the centre of the cultural discourse around male subjectivity, it enhances our understanding of Clark's narrative and iconographic practice as a means of negotiating complex subjectivities.

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    Table of Contents:

    "

    List of Illustrations

    Preface: Photography as a Mirror - The Radical Vision of Larry Clark, Johan Swinnen, Vrije Universiteit Brussel, VUB, Belgium

    Introduction: Understanding Visual Culture through the Lens of Larry Clark
    1. Exploring Youth and Rebellion: The Foundations of Visual Culture in Larry Clark's ""Tulsa"" and ""Kids""
    2. Decoding Despair: Visual Signs and Symbols in Larry Clark's ""Tulsa"" and ""Teenage Lust""
    3. Raw Realities: Identity and Subcultures in Larry Clark's ""Kids"" and ""Wassup Rockers""
    4. Capturing Chaos: The Photographic Truth of Youth Culture in Larry Clark's photobooks
    5. Performing Marginality: The Dramatic Dimensions in Larry Clark's Films & Photography
    Conclusion

    Epilogue, Leen Dhaensen, KU Leuven, Belgium

    Notes
    Index

    "

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