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  • Hands on Media History: A new methodology in the humanities and social sciences

    Hands on Media History by Hall, Nick; Ellis, John;

    A new methodology in the humanities and social sciences

      • GET 20% OFF

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      • Publisher's listprice GBP 38.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        18 627 Ft (17 740 Ft + 5% VAT)
      • Discount 20% (cc. 3 725 Ft off)
      • Discounted price 14 902 Ft (14 192 Ft + 5% VAT)

    18 627 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 9 October 2019

    • ISBN 9781138577497
    • Binding Paperback
    • No. of pages256 pages
    • Size 234x156 mm
    • Weight 402 g
    • Language English
    • Illustrations 63 Halftones, black & white; 3 Tables, black & white
    • 2

    Categories

    Short description:

    Hands on Media History explores the whole range of hands on history techniques for the first time, offering both practical guides and general perspectives. It covers a range of media, including analogue and digital media; film, television, video, gaming, photography and recorded sound.



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    Long description:

    Hands on Media History explores the whole range of hands on media history techniques for the first time, offering both practical guides and general perspectives. It covers both analogue and digital media; film, television, video, gaming, photography and recorded sound.



    Understanding media means understanding the technologies involved. The hands on history approach can open our minds to new perceptions of how media technologies work and how we work with them. Essays in this collection explore the difficult questions of reconstruction and historical memory, and the issues of equipment degradation and loss. Hands on Media History is concerned with both the professional and the amateur, the producers and the users, providing a new perspective on one of the modern era’s most urgent questions: what is the relationship between people and the technologies they use every day?



    Engaging and enlightening, this collection is a key reference for students and scholars of media studies, digital humanities, and for those interested in models of museum and research practice.




    What can obsolete, discarded communications technologies tell us about past media practices? How did human-machine interactions require and cultivate particular skills and build communities of practice and knowledge? In this wide-ranging and provocative collection, Hands On Media History lays out how media archeology, as a method and a mindset, can retrieve the expertise, ingenuity and joy that accompanied pioneering media forms. Certain to open up rich new conversations about doing media history.


    Susan J. Douglas, Catherine Neafie Kellogg Professor, The University of Michigan

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    Table of Contents:


    Introduction: What is hands on media history?
    John Ellis and Nick Hall



    Part I: Media Histories



    1 Why hands on history matters


    John Ellis



    2 Bringing the living back to life: what happens when we re-enact the recent past?


    Nick Hall


    3 A blind date with the past: transforming television documentary practice into a research method
    Amanda Murphy


    4 (De)Habituation Histories: How to re-sensitize media historians
    Andreas Fickers and Annie van den Oever



    5 (Un)certain Ghosts: Rephotography and Historical Images
    Mary Agnes Krell 


    Part II: User Communities



    6 Photography Against the Anthropocene: the Anthotype as a Call for Action
    Kristof Vrancken



    7 On the Performance of Playback for Dead Media Devices
    Matthew Hockenberry and Jason LaRiviere



    8 The Archaeology of the Walkman: Audience Perspectives and the Roots of Mobile Media Intimacy
    Maruša Pušnik



    9 Extended Play: Hands On with Forty Years of English Amusement Arcades


    Alex Wade



    10 Enriching 'hands on history' through community dissemination: a case study of the Pebble Mill Project
    Vanessa Jackson 


    Part III: Labs, Archives, and Museums



    11 The Media Archaeology Lab as Platform for Undoing and Reimagining Media History
    Lori Emerson



    12 Reflections and Reminiscences: tactile encounters and participatory research with vintage media technology in the museum


    Christian Hviid Mortensen and Lise Kapper



    13 A Vision in Bakelite: Exploring the aesthetic, material and operational potential of the Bush TV22
    Elinor Groom



    14 Hands on Circuits: Preserving the Semantic Surplus of Circuit-Level Functionality with Programmable Logic Devices


    Fabian Offert

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