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  • Soil and Stone: Impressionism, Urbanism, Environment

    Soil and Stone by Fowle, Frances; Thomson, Richard;

    Impressionism, Urbanism, Environment

    Series: Visual Arts Research Institute Edinburgh;

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      • Publisher's listprice GBP 56.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        27 226 Ft (25 930 Ft + 5% VAT)
      • Discount 20% (cc. 5 445 Ft off)
      • Discounted price 21 781 Ft (20 744 Ft + 5% VAT)

    27 226 Ft

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    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Short description:

    The Impressionists are world renowned for their vibrant depictions of the atmospheric effects and shimmering beauty of the French countryside. These paintings, often produced in Paris, found an enthusiastic market in the city. The inhabitants of that hub of modernity had an apparently paradoxical interest in the mythologies of rural living. As the city became more and more the motive force of social change so the country was understood as the anchor of changelessness and nostalgia. The essayists in this volume examine the complex relationship between country and city. Their work draws widely on the contemporary culture exploring folklore and children's literature, anarchism and urbanism, and offers significant new insights into the work of major artists and writers including Courbet, Millet, Monet, Van Gogh and Zola.

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    Long description:

    The Impressionists are world renowned for their vibrant depictions of the atmospheric effects and shimmering beauty of the French countryside. These paintings, often produced in Paris, found an enthusiastic market in the city. The inhabitants of that hub of modernity had an apparently paradoxical interest in the mythologies of rural living. As the city became more and more the motive force of social change so the country was understood as the anchor of changelessness and nostalgia. The essayists in this volume examine the complex relationship between country and city. Their work draws widely on the contemporary culture exploring folklore and children's literature, anarchism and urbanism, and offers significant new insights into the work of major artists and writers including Courbet, Millet, Monet, Van Gogh and Zola.

    '... an important contribution to scholarship on nineteenth-century art and culture.' Marnin Young, Nineteenth-Century Art Worldwide

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    Table of Contents:

    Contents: Introduction, Richard Thomson; The viewer on the beach, John House; Courbet's touch, Paul Galvez; 'This dangerous game': Rousseau, Diaz and the uses of the auction in the marketing of landscape, Simon Kelly; Footsteps in Normandy: Jean-FranÃ
    ois Millet and provincial nostalgia in late 19th-century France, Bradley Fratello; Legendary Places: oral history and folk geography in 19th-century Brittany, David Hopkin; 'Rivers of lemonade and mountains of sugar': representations of country and city in 19th-century French children's literature, Anna Green; 'Promenades et plantations': Impressionism, conservation and Haussmann's reinvention of Paris, Clare A. P. Willsdon; The insatiable appetite of Paris: Zola's Claude Lantier before L'Oeuvre, Michael Pakenham; Painting like a ProvenÃ
    al: Cézanne, Van Gogh and the secret of Monticelli's 'alchemy', Frances Fowle; Monet's 'Rouen cathedrals': anarchism, Gothic architecture, and instantaneous photography, Richard Thomson; Index.

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