Soil and Stone
Impressionism, Urbanism, Environment
Series: Visual Arts Research Institute Edinburgh;
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Product details:
- Edition number 1
- Publisher Routledge
- Date of Publication 6 March 2017
- ISBN 9781138252103
- Binding Paperback
- No. of pages192 pages
- Size 234x156 mm
- Weight 453 g
- Language English 0
Categories
Short description:
The Impressionists are world renowned for their vibrant depictions of the atmospheric effects and shimmering beauty of the French countryside. These paintings, often produced in Paris, found an enthusiastic market in the city. The inhabitants of that hub of modernity had an apparently paradoxical interest in the mythologies of rural living. As the city became more and more the motive force of social change so the country was understood as the anchor of changelessness and nostalgia. The essayists in this volume examine the complex relationship between country and city. Their work draws widely on the contemporary culture exploring folklore and children's literature, anarchism and urbanism, and offers significant new insights into the work of major artists and writers including Courbet, Millet, Monet, Van Gogh and Zola.
MoreLong description:
The Impressionists are world renowned for their vibrant depictions of the atmospheric effects and shimmering beauty of the French countryside. These paintings, often produced in Paris, found an enthusiastic market in the city. The inhabitants of that hub of modernity had an apparently paradoxical interest in the mythologies of rural living. As the city became more and more the motive force of social change so the country was understood as the anchor of changelessness and nostalgia. The essayists in this volume examine the complex relationship between country and city. Their work draws widely on the contemporary culture exploring folklore and children's literature, anarchism and urbanism, and offers significant new insights into the work of major artists and writers including Courbet, Millet, Monet, Van Gogh and Zola.
'... an important contribution to scholarship on nineteenth-century art and culture.' Marnin Young, Nineteenth-Century Art Worldwide
Table of Contents:
Contents: Introduction, Richard Thomson; The viewer on the beach, John House; Courbet's touch, Paul Galvez; 'This dangerous game': Rousseau, Diaz and the uses of the auction in the marketing of landscape, Simon Kelly; Footsteps in Normandy: Jean-FranÃ
ois Millet and provincial nostalgia in late 19th-century France, Bradley Fratello; Legendary Places: oral history and folk geography in 19th-century Brittany, David Hopkin; 'Rivers of lemonade and mountains of sugar': representations of country and city in 19th-century French children's literature, Anna Green; 'Promenades et plantations': Impressionism, conservation and Haussmann's reinvention of Paris, Clare A. P. Willsdon; The insatiable appetite of Paris: Zola's Claude Lantier before L'Oeuvre, Michael Pakenham; Painting like a ProvenÃ
al: Cézanne, Van Gogh and the secret of Monticelli's 'alchemy', Frances Fowle; Monet's 'Rouen cathedrals': anarchism, Gothic architecture, and instantaneous photography, Richard Thomson; Index.
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