Hustlers in the Ivory Tower: Press and Modernism from Mallarmé to Proust
Series: Studies in Modern and Contemporary France; 13;
- Publisher's listprice GBP 120.00
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57 330 Ft (54 600 Ft + 5% VAT)
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57 330 Ft
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Product details:
- Publisher Liverpool University Press
- Date of Publication 2 April 2024
- ISBN 9781802074734
- Binding Hardback
- No. of pages344 pages
- Size 239x163 mm
- Weight 589 g
- Language English
- Illustrations 18 550
Categories
Long description:
Ebook available to libraries exclusively as part of the JSTOR Path to Open initiative.
In French literature, newspapers have typically had bad press. Throughout the nineteenth century, French poets and novelists depicted the rapid growth of the press as a corrupting behemoth that was swallowing up art and culture. And yet, towards the end of the century, some writers began to take a more ambivalent approach, pivoting between antipathy and enthusiasm for what had become a massified and ubiquitous cultural phenomenon. ‘No-one truly escapes from journalism,’ as Stéphane Mallarmé put it. Rather than cut themselves off from ‘universal reportage’, he and other leading modernists, including Guillaume Apollinaire and Marcel Proust, came to view newspapers as an essential forum for literary experimentation.
Hustlers in the Ivory Tower explores how the French modernists used newspapers and large-circulation magazines as a ‘literary laboratory’ by publishing poetry and imaginative prose in their pages. Drawing on extensive documentary research, this book looks behind the scenes at wrangling and wheeling-dealing between authors, editors, and publishers that drove the rise of modernist literature in France.
These interactions with the press yielded nuanced, self-conscious portrayals of the tensions between journalism and literature in works of modernist poetry and prose that confront their own journalistic hinterland in unprecedented depth. At once a model and a foil, the newspaper emerges in Hustlers in the Ivory Tower as the locus of French literature’s broader struggle to come to terms with modernity.
‘This book intervenes in a lively ongoing conversation about the links between literature and mass culture and makes an important contribution by taking up French modernism's complex relationship to the newspaper.'
Catherine Talley
MoreTable of Contents:
ACKNOWLEDGEMENTS
INTRODUCTION
CHAPTER ONE: Mallarmé and the Golden Age of French Newspapers
CHAPTER TWO: Petites Revues in the Shadow of the Grande Presse
CHAPTER THREE: Literary Actualité
CHAPTER FOUR: Journalistic Aporias in the Poetry of Apollinaire and His Friends
CHAPTER FIVE: Journalism and the Crisis of the Novel from Gourmont to Proust
EPILOGUE: Modernist Histories/ Modernist Futures
SELECT BIBLIOGRAPHY
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