Polyphony and the Modern

Polyphony and the Modern

 
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Kiadó: Routledge
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A termék adatai:

ISBN13:9780367655150
ISBN10:0367655152
Kötéstípus:Keménykötés
Terjedelem:272 oldal
Méret:229x152 mm
Súly:453 g
Nyelv:angol
Illusztrációk: 5 Illustrations, black & white; 5 Halftones, black & white
411
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Rövid leírás:

Polyphony and the Modern asks one fundamental question: what does it mean to be modern in one?s own time? To answer that question, this volume focuses on polyphony as an index of modernity.

Hosszú leírás:

Polyphony and the Modern asks one fundamental question: what does it mean to be modern in one?s own time? To answer that question, this volume focuses on polyphony as an index of modernity.



In The Principle of Hope, Ernst Bloch showed that each moment in time is potentially fractured: people living in the same country can effectively live in different centuries ? some making their alliances with the past and others betting on the future ? but all of them, at least technically, enclosed in the temporal moment. But can a claim of modernity also mean something more ambitious? Can an artist, by accident or design, escape the limits of his or her own time, and somehow precociously embody the outlook of a subsequent age?



This book sees polyphony as a bridge providing a terminology and a stylistic practice by which the period barrier between Medieval and Early Modern can be breached.


Chapter 1 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at https://www.taylorfrancis.com/books/edit/10.4324/9781003129837

Tartalomjegyzék:

Introduction: Towards Modernity


Jonathan Fruoco



Part One: Machaut and Musical Polyphony



Chapter I. The Polyphony of Function: Mixing Text and Music in Guillaume de Machaut


Uri Smilansky


Chapter II. The Multilevel Polyphony of Machaut?s Livre dou Voir Dit and its Afterlife


Rosemarie McGerr



Part Two: Polyphony in Medieval Europe



Chapter III. Cemeteries and Tombstones as Polyphonic Places in the French Medieval Quest of Lancelot


Laurence Doucet


Chapter IV. Polyphonic Effects in the Fixed-Form Verse of Eustache Deschamps: A Critical Practice


Laura Kendrick


Chapter V. ?Galeotto fu il libro e chi lo scrisse?: Liminal Polyvocality in the Occitan Literary Use of Dante


Paola M. Rodriguez


Chapter VI. Novelistic Perspectivism in Béroul?s Roman de Tristan


Teodoro Patera


Chapter VII. Textual Voices in Compilation: Reading the Polyphony of Medieval Manuscripts


Amy Heneveld


Chapter VIII. Wolfram and the Ambiguity of the Religious Question in the Willehalm


Patrick del Duca



Part Three: From Medieval England to the Early Modern



Chapter IX. Chaucer?s Speech and Thought Representation in Troilus and Criseyde: Encoded Subjectivities and Semantic Extension


Yoshiyuki Nakao


Chapter X Chaucer and the Streams of Parnassus


Paul Strohm


Chapter XI. "´Tis more ancient than Chaucer Himself": Keats and Romantic Polyphony


Caroline Berton?che



Part Four: Towards Modernity



Chapter XII. Evelina?s "Pollyphony"


Anne Rouhette


Chapter XIII. The Whirl of the Red, Green, and Blue: Christopher Anstey and the Particoloured Poem


Peter Merchant


Chapter XIV. Towards Modernity. Nova et Vetera in Paul Claudel?s Book of Christopher Colombus


Jean-François Poisson-Gueffier