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  • The Un-Chosen Body: Disability Culture in Israel

    The Un-Chosen Body by Szobel, Ilana;

    Disability Culture in Israel

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      • Publisher's listprice GBP 27.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        13 372 Ft (12 735 Ft + 5% VAT)
      • Discount 10% (cc. 1 337 Ft off)
      • Discounted price 12 035 Ft (11 462 Ft + 5% VAT)

    13 372 Ft

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    Availability

    Estimated delivery time: Expected time of arrival: end of January 2026.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Wayne State University Press
    • Date of Publication 30 November 2025

    • ISBN 9780814351833
    • Binding Paperback
    • No. of pages280 pages
    • Size 229x152 mm
    • Weight 378 g
    • Language English
    • Illustrations 21 Illustrations, color
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    Long description:

    Brings crip aesthetics and disability justice into conversation with Israel studies.

    In the first work to bring crip aesthetics into conversation with Israel studies, Ilana Szobel explores disability culture and disability justice through the work of artists with disabilities in Israel and the occupied Palestinian territories. This book outlines the production and performance of a range of projects by poets, filmmakers, and performers to examine how they reframe or reimagine accessibility in artistic, cultural, and political spaces through creative expression and suggests their works' potential for social transformation. Through close analysis of this vibrant underground subculture, Szobel proposes new avenues for understanding genealogies of art on disability, depictions of sexuality and vulnerability of disabled women, disability as political violence, community building among the disabled, and imagined disability futures. Szobel renders a clear critique of forms of oppression—ableism, sexism, heteronormativity, settler colonialism, and state violence—within Israel/Palestine and how artists with disabilities creatively address and undo their relationship to structures of power. For those interested in disability justice, gender, and creativity, Szobel illustrates how Israeli and Palestinian artists create new possibilities through their work.

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